Take a safari into Botswana's Okavango Delta, the world's largest oasis, where "if you see 10 percent of what sees you, it's an exceptional day." Sail the Grenadines, 32 islands and hundreds of dotlike cays strung like a necklace of gems across 40 miles of pristine waters. Tour the covered souks of Aleppo, where the labyrinthine streets seem straight out of A Thousand and One Nights and frankincense and myrhh are still sold. Hike the Tasman Glacier. Climb the Tuscan hills to San Gimignano. Stay at the Hassler in Rome, or Paris's Crillon-you must, at least once. There's Canyon de Chelly, Tokyo's Tsukiji Fish Market, the backwaters of Kerala, Ipanema beach, the Buddhas of Borobudur, Mesa Verde's cave dwellings, the Oaxaca Saturday market, Ballybunion Golf Club.

The prose is gorgeous, seizing on exactly what makes each entry worthy of inclusion. And, following the romance, the nuts and bolts: addresses, phone and fax numbers, web sites, costs, best times to visit. Of special interest are subject-specific indexes-gorgeous beaches, destination restaurants, world-class museums-making the guide entirely user-friendly, no matter if you're dreaming or going.

An award-winning cultural critic, Jefferson brings an unexpected compassion as well as her sharp intellect and incomparable insight to Jackson’s 2005 trial for child molestation, startling us with her erudite illumination of a media-drenched circus that we only thought we understood. As only she can, Jefferson reads between the lines of Jackson’s 1998 autobiography as well as published accounts of his childhood, his family, and Motown--where Michael and his brothers first made the Jackson 5 a household name--leaving us with provocative and perhaps unanswerable questions about Jackson, child stardom, and fame itself.

Talent, scandal, sudden death, and a 24/7 media cycle make us very worshipful or very cynical. We can do better this time around. We don’t have to sneer or be pious. We know Michael Jackson was a genius, and we know he became a tortured soul. The first three days after his death were our grace period. We watched videos, replayed our favorite songs relived our youth, and waxed nostalgia about the good old days when all we had to deal with was his enormous talent. And though I never much liked the song, "we" were definitely the world--crowding onto streets, into theaters and parks, dancing (or at least swaying) to his music. North and South America. Europe. Africa. Asia. Only Antarctica and most of the animal kingdom stayed uninvolved.

Then the nasty stuff started creeping out again, like the ghouls in Thriller. Drug reports, rumors of custody wars, tours of an empty Neverland, memorial extravaganza plans; the sight of Michael’s father hustling family unity along with his new record company; the statements and counter-statements of siblings, lawyers, ex-employees, companions and bottom-feeders. And, of course, the three children. Whatever we don’t know about them, we do know they’re worth their weight in gold records and posthumous business deals. And it’s only just begun.

But we can live with the damaged life and the great work: both of them, all at once. We have to. So much of Michael Jackson’s damage reflects the worst in our culture, and so much of his talent reflects the best.--Margo Jefferson

(Photo © Brent Murray)

Michael Jackson needs no introduction, as part of the Jackson 5 he helped make up a remarkable musical family and one of the biggest pop phenomenons of the early 70s. The Jacksons' infectious brand of funky soul and now iconic stage presence reached out globally and made them and Michael international stars.

As the success of the band grew, Michael branched out with his own solo career first launching with "Got to be There" and then "Rockin' Robin". The momentum started to grow with the release of more successful singles and, as the hype surrounding the Jackson 5 slowed down towards the late 70s, Michael continued to develop and grow as an artist. With the release of Off the Wall, an immaculately crafted set of funky disco-pop, smooth soul, and lush, sentimental pop ballads, Michael cemented his place as a global star. The 1980s were a career-defining period with his instantly identifiable voice, eye-popping dance moves, stunning musical versatility, and loads of sheer star power Michael Jackson was unstoppable. The 1982 album Thriller became the biggest selling album of all time and combined his musical genius with an exceptional and ahead of its time music video epic. Bad (1987) was released with enormous public anticipation and spawned another succession of hit singles with "The Way You Make Me Feel" and "Man in the Mirror."